My Take on The Oscar Nominations

Oscar Nominations were released today after much wait, anticipation and speculation on which big releases could and should be accredited one of the most prestigious awards in the film industry. Here is the list of nominations with my own thoughts regarding who I think should and will take the award, applause and glory.

BEST PICTURE

12 Years a Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, Her, Nebraska, Philomena, The Wolf of Wall Street.

12 Years a Slave should and probably will be accredited and named The Best Picture at the 86th Oscar Ceremony after stunning its audience and collecting much praise and plaudits.

BEST DIRECTOR

David O. Russell – American Hustle, Alfonso Cuaron – Gravity, Alexander Payne – Nebraska, Steve McQueen – 12 Years a Slave, Martin Scorsese – The Wolf of Wall Street

This should be a close contest between Alfonso Cuaron’s Gravity and Steve McQueen’s 12 Years a Slave in my perspective as they were the two visual highlights out of the bunch. Cuaron behind one of the best visual experiences in cinematic history whilst McQueen refreshing and brilliant techniques captured so much in 12 Years a Slave.

BEST ACTOR

Christian Bale – American Hustle, Bruce Dern – Nebraska, Leonardo DiCaprio -The Wolf of Wall Street, Chiwetel Ejiofor – 12 Years a Slave, Matthew McConaughey – Dallas Buyers Club.

12 Years a Slave’s Ejiofor should deserve to win Best Actor however with the heaps of praise and success from McConaughey in Dallas Buyers Club It could be stolen away.

BEST ACTRESS

Amy Adams – American Hustle, Cate Blanchett – Blue Jasmine, Sandra Bullock – Gravity, Judi Dench – Philomena, Meryl Streep – August: Osage County

Amy Adams is the majority’s choice to take claim to the Best Actress award but giving the performance of her career in Gravity it would be much deserved if Sandra Bullock took the glory.

BEST ORIGINAL SCREENPLAY

American Hustle – Written by Eric Warren Singer and David O. Russell, Blue Jasmine – Written by Woody Allen, Her – Written by Spike Jonze , Nebraska – Written by Bob Nelson, Dallas Buyers Club – Written by Craig Borten & Melisa Wallack

Spike Jonze’s Her, I hope will get named the Best Original Screenplay ahead of American Hustle after failing to amaze me and reach expectation.

BEST ADAPTED SCREENPLAY

Before Midnight – Written by Richard Linklater, Julie Delpy, Ethan Hawke, Captain Phillips – Screenplay by Billy Ray, Philomena – Screenplay by Steve Coogan and Jeff Pope, 12 Years a Slave – Screenplay by John Ridley, The Wolf of Wall Street – Screenplay by Terence Winter

12 Years a Slave absolutely amazed me, especially with its accurate adaptation, brutal realism and factual accuracy so this would be a strong shout for this award, however Captain Phillips was truly special so I wouldn’t be surprise if it stole the show here.

BEST SUPPORTING ACTRESS

Lupita Nyong’o – 12 Years a Slave, Jennifer Lawrence – American Hustle, June Squibb – Nebraska, Julia Roberts – August: Osage County, Sally Hawkins – Blue Jasmine

Jennifer Lawrence although only playing a minor role stood out amongst others in American Hustle and should easily be credited as Best Supporting Actress.

BEST SUPPORTING ACTOR

Barkhad Abdi – Captain Phillips, Bradley Cooper – American Hustle, Michael Fassbender – 12 Years a Slave, Jonah Hill – The Wolf of Wall Street, Jared Leto – Dallas Buyers Club

Jared Leto apparently gave a wonderful performance in Dallas Buyers Club but I can’t see anyone accept Michael Fassbneder winning and deserving this award after his performance in 12 Years a Slave.

BEST ANIMATED FILM

The Croods, Despicable Me 2, Ernest & Celestine, Frozen, The Wind Rises

Frozen will most likely scoop The Best Animated Film award up after becoming a huge favourite, however I could see close competition from the great, Despicable Me 2.

BEST CINEMATOGRAPHY

The Grandmaster, Gravity, Inside Llewyn Davis, Nebraska, Prisoners

I could see best cinematography being between Inside Llewyn Davis and Gravity but I couldn’t say which way.

BEST COSTUME DESIGN

Michael Wilkinson – American Hustle, William Chang Suk Ping – The Grandmaster, Catherine Martin – The Great Gatsby, Michael O’Connor – The Invisible Woman, Patricia Norris – 12 Years a Slave

American Hustle really did show off its excellence in this department and it should surely be credited by picking up the Oscar for Best Costume Design.

BEST DOCUMENTARY FEATURE

The Act of Killing – Joshua Oppenheimer and Signe Byrge Sørensen, Cutie and the Boxer – Zachary Heinzerling and Lydia Dean Pilcher, Dirty Wars – Richard Rowley and Jeremy Scahill, The Square – Jehane Noujaim and Karim Amer, 20 Feet from Stardom – Nominees to be determined

The Act Killing is my favourite for this category.

BEST DOCUMENTARY SHORT SUBJECT

CaveDigger – Jeffrey Karoff, Facing Fear – Jason Cohen, Karama Has No Walls -Sara Ishaq , The Lady in Number 6: Music Saved My Life – Malcolm Clarke and Nicholas Reed, Prison Terminal: The Last Days of Private Jack Hall – Edgar Barens

BEST FILM EDITING

American Hustle – Jay Cassidy, Crispin Struthers and Alan Baumgarten,  Captain Phillips – Christopher Rouse, Dallas Buyers Club-  John Mac McMurphy and Martin Pensa, Gravity – Alfonso Cuarón and Mark Sanger,  12 Years a Slave –  Joe Walker

Gravity should have this one firmly in their grasp!

BEST FOREIGN LANGUAGE FILM

The Broken Circle Breakdown – Belgium, The Great Beauty -Italy, The Hunt – Denmark, The Missing Picture – Cambodia,  Omar Palestine

It was a big surprise to not see Blue is the Warmest Colour given a nomination for this category.

BEST MAKEUP AND HAIRSTYLING

Dallas Buyers Club – Adruitha Lee and Robin Mathews, Jackass Presents: Bad Grandpa –  Stephen Prouty, The Lone Ranger –  Joel Harlow and Gloria Pasqua-Casny

Dallas Buyers Club would be my favourite for this award however again its a surprise to see American Hustle not getting nominated.

BEST ORIGINAL SCORE

John Williams – The Book Thief, Steven Price –  Gravity,  William Butler and Owen Pallett –  Her,  Alexandre Desplat –  Philomena Thomas Newman – Saving Mr. Banks

Saving Mr Banks would be my favourite and a winner that would be much deserved.

BEST SOUND EDITING

All Is Lost – Steve Boeddeker and Richard Hymns,  Captain Phillips – Oliver Tarney, Gravity –  Glenn Freemantle , The Hobbit: The Desolation of Smaug –  Brent Burge, Lone Survivor – Wylie Stateman

Captain Phillips has amazing score but I was very impressed by Lone Survivor it would be more than deserved if they were awarded Best Sound Editing.

BEST SOUND MIXING

Captain Phillips –  Chris Burdon, Mark Taylor, Mike Prestwood Smith and Chris Munro,  Gravity – Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro, The Hobbit: The Desolation of Smaug –  Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson, Inside Llewyn Davis –  Skip Lievsay, Greg Orloff and Peter F. Kurland,  Lone Survivor – Andy Koyama, Beau Borders and David Brownlow

Again this for me would be between Captain Phillips and Lone Survivor.

BEST VISUAL EFFECTS

Gravity – Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould,  The Hobbit: The Desolation of Smaug – Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds,  Iron Man 3 –  Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick,  The Lone Ranger – Tim Alexander, Gary Brozenich, Edson Williams and John Frazier, Star Trek Into Darkness – Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

I would like to see The Hobbit be accredited this award after the amazing appearance of Smaug however it would be no surprise to see Gravity make way with another victory.

I did miss out a few categories however these are the Oscar Nominations, there were a few shocks and surprises but I’m sure there will be plenty more upon ceremony night! I would appreciate it if you could comment below your thoughts and your favourites for the Oscars 2014.

Delivery Man (2013)

Genre: Comedy, Drama

Director: Ken Scott

Writers: Ken Scott, Martin Petit

Starring: Vince Vaughn, Cobie Smulders, Chris Pratt

Rating: ★★★½

Delivery Man finds itself with tough competition this January as many “Oscar-tipped” releases take all the headlines however this enjoyable comedy has its own shining elements that shouldn’t be overlooked. Starring Vince Vaughan it follows a funny inventive storyline that evolves into an even funnier and heartfelt comedy that’s easily watchable, fun and entertaining. Delivery Man isn’t anything special but it has enough gags and laughs to make it well worthwhile.

Vince Vaughn is David Wozniak a less than average man who works as a delivery driver at his family’s business the Brooklyn based Wozniak Meat Store. Irresponsible, unreliable and lazy David is wasting away his life and finds himself in over his head with debt and clutching at straws in his struggling relationship with “girlfriend” Emma (Cobie Smulders). However when he comes home to a surprising visitor his life gets turn upside down after being given unimaginable news that he is the biological father to 533 children. David might not be the best at delivering meat or even life itself but as he soon finds out he was very good at delivering quality sperm. As a young man David earned money as a sperm donor and a mix up at the clinic meant that his deposits fathered all 533 children that year, 20 years later 143 children have filed a court-case demanding the true identity of their father to be revealed.

David soon decides that he wants to turn his life around and be there for each and every one of his children. Given a file containing all 143 profiles he randomly one by one starts making up for a lot of last time and acts as their guardian angel. Not telling them he’s their father and the famous “Starbuck” donor he manages to bond special relationships. However as his debt crisis worsens and his relationship is put under more pressure David soon finds himself facing a number of dilemmas that could affect everything.

Delivery Man certainly has an eye-catching and entertaining storyline which meets expectation.  The plot throughout stays Interesting due to a number of twists and turns as David is faced with problem after problem. However the highlight of this comedy is the high maintenance of humour throughout with jokes and gags almost being constant. What is also great and most refreshing is how Delivery Man pauses to become more serious and heartfelt at times providing a great balance between the two. The main catalysts behind the laughs are David himself and his best friend/lawyer Brett (Chris Pratt) who together combines to make great comedy from physical to scripted.  Delivery Man also has a lot of heart to balance out that humour, mainly achieved by a well-written script. The relationships formed between David and his kids alongside the different characters and personalities met provide a wide range of emotions from being completely hilarious to quite heart-warming.

Not so many years ago Ken Scott and Martin Petit teamed up to make Starbuck a critic’s choice “hit” which became a popular film but only for a limited audience. Ken Scott’s Delivery Man is his solo effort of an American remake with the hope that it becomes a well-known name. I have to admit I was slightly disappointed to discover this wasn’t a totally original story but knowing that it came from the same brains behind “Starbuck” is some consolation and his second shot should definitely be applauded. The story is great, originally hinted and rumoured to be similarly based on a real life case, however it’s unique and humorous providing great entertainment.

The real downside however to Delivery Man was the trailer and how it included the funniest scenes and gags meaning there was a lack of surprises and laugh-out-loud moments upon viewing leaving us with only a few gut-busting laughs. The combination of the great story, good acting and well written script however saves Delivery Man from falling into that group of failed comedies. Guaranteed laughs and an entertaining enjoyable watch Delivery Man shouldn’t be overlooked this January.

American Hustle (2014)

Genre: Crime, Drama

Director: David O. Russell

Writers: Eric Singer, David O. Russell

Starring: Bradley Cooper, Christian Bale, Amy Adams, Jennifer Lawrence

Rating: ★★★★

American Hustle has made a huge impact on the film world and community earning itself respectful plaudits and nominations by the dozen. It certainly has one of the best and most-talented acting ensembles in which each give a refreshing and different performance. The story however is where I struggled mostly, but since reflecting the words brave and seemingly clever seem most fitting. American Hustle is enjoyable but nowhere near having special and faultless-like qualities as speculated and first hoped.

The film establishes itself in a world of con artists and corrupt business men following one in particular, the brilliant Irving Rosenfeld (Christian Bale) who lives scamming the equally greedy, selling fake art along with owning a string of businesses he survives. Rosenfeld meets Sydney Prosser (Amy Adams) a sly and lonely British woman who seduces her way into Irving’s world of cons and scandals. Later down the line they cross paths with a FBI agent, Richie DiMaso (Bradley Cooper) wild and deranged he leads them into danger and a world plagued with powerbrokers and mobsters as they attempt to pull off a big-time con.

Irving Rosenfeld’s struggling relationships with fling Sydney and scatty wife Rosalyn (Jennifer Lawrence) starts to cause problems with the con and things get far too dangerous than ever imagined. Political operator Carmine Polito then enters the frame and finds himself in-between the two corrupt worlds of cons and cops. As things develop in everyone’s lives the con looks to be exposed with its success lying in the shaky hands of Irving’s unstable Rosalyn.

American Hustle has a great introduction, but only for those that were hooked and intrigued by the concepts and world laid out in front of them. A great in-depth opening act really lets us know the characters, the plot and the plan but it doesn’t grab you as much as it should and could. You find yourself slightly bored awaiting action and consequently for some, you don’t take in the information and this is dangerous as American Hustle adopts a very interlinking plotline that you can easily lose yourself in. Once developed it gets much better, the action is brought forward and it sets up some tense scenes as the con leads our ensemble to mobsters and criminals. As I said the story didn’t grab me, not at the beginning and not enough during the middle, however it was the ending that shines. The con comes together appearing much clearer, a big plot twist is introduced and everything is wrapped up nicely making lots of sense and giving great closure. It is then when you appreciate the story, the con and the writing from duo Eric Singer and David O. Russell.

Where most praise however has been and should be directed at, is the casting ensemble that makes up American Hustle. Christian Bale shows once again how versatile and amazing he is, whilst the duo that made up award winning Silver Linings Playbook, Bradley Cooper and Jennifer Lawrence display yet another award winning performance. Amy Adams also makes a great statement for her talent and future career. I can easily see one of these brilliantly captured performances being rewarded and marked with an Oscar nomination or even the win come February’s ceremony.

David O. Russell should also be given credit for producing such a fine display and quality picture whilst plaudits should be directed in the pathway of the music department for the score too. However an obvious and much talked about success is those of the make-up department which transform the group completely surely leading them to Oscar and award glory.

I’ve seen a lot of five stars and special labels surrounding American Hustle but for me it doesn’t pitch that high. It tries to be too “sexy” and “clever” at times and this plays against my liking whilst it lacks a little action too. Nevertheless I believe it was entertaining and rather enjoyable, with great scenes and some funny scripted moments. American Hustle was boosted and saved by its all-star cast so credit to David O. Russell for picking some familiar faces as it paid off once again. Easily watchable, clever and funny American Hustle should be seen, especially to witness a great acting display.

12 Years a Slave (2014)

Genre: Biography, Drama, History

Director: Steve McQueen

Writers: John Ridley, Solomon Northup (book)

Starring: Chiwetel Ejiofor, Michael Fassbender

Rating: ★★★★★

One of the most anticipated and recently talked about films 12 Years a Slave has been grabbing the headlines for various nominations and wins that has earned credentials labelling it as one of the best films ever made. With all the buzz and speculation surrounding Steve McQueen’s newest phenomenon the expectations were set very high before viewing, but I can firmly say they were matched and exceeded. 12 Years a Slave captures such intense horror, pain and emotion in truly amazing style resulting in a flawless film from script, cast, crew and score. I can easily say that it will be a film to scoop not only many nominations but many Oscars in February’s prestigious ceremony.

12 Years a Slave is a beautifully crafted portrayal of the harsh and brutal experience of Solomon Northup (Chiwetel Ejiofor), a freeman who was captured, tortured and then sold into slavery. We follow Solomon’s story starting in Upstate New York, Saratoga, where he’s a respected member of the community, having a family consisting of a wife and two kids in which he provides for by working as a violinist. However his happy and joyous life is soon taken away as he finds himself chained and imprisoned in a basement deep in Washington where he is then beaten and sold into slavery.

Solomon’s day-to-day routine soon consists of brutal beatings and unhuman labour as he is passed around from slave owner to slave owner until he eventually settles down on the plantation of cruel Edwin Epps (Michael Fassbender). He soon finds himself a target due to his dignified actions and gets caught up in an act of jealously between plantation owner Epps and a young slave girl. After many attempts and ideas of escape failing, Solomon finds hope when meeting a Canadian abolitionist named Bass (Brad Pitt) in his twelve year.

12 Years a Slave portrays such a tragic and horrific story with such art and realism you can’t find a single fault. Each painful and brutal beating and whipping is shown with such horror and precision it’s truly powerful. Steve McQueen captured such emotion with his film forcing you to get so wrapped up and involved in the story, you feel the need to help Solomon out constantly creating a great amount of sympathy.

The performances captured and displayed by all the cast are brilliant and I personally feel it’s one of the best displays I’ve seen in recent years with so many standouts. Chiwetel Ejiofor is the obvious highlight as he plays the traumatised Solomon Northup throughout but his performance is far from glamorous and showy but real and painful. With such a display there will be no surprise that he’ll be up to his neck in best actor nominations. Michael Fassbender too should be applauded for a great performance and one that is surely the highlight of his career. The brilliant ensemble was then further added too by low key but perfectly executed displays from both Brad Pitt and Benedict Cumberbatch.

It is obvious that it was the acting and performances that made 12 Years a Slave shine but Steve McQueen’s also added his respectable brilliance that again should be rewarded with a fistful of best picture nominations. Many awe-inspiring bright scenery and life-like shots featured throughout breaking up and juxtaposing the brutality of the other scenes with its admirable beauty. 12 Years a Slave although only a month into the New Year is firmly staking its place as the highlight release from 2014.

Not only does 12 Years a Slave achieve such powerful and impacting results due to the technical and acting quality but the real-life biographic element truly finishes this film of. Adapted from the book from Solomon Northup – Twelve Years a Slave writer John Ridley has worked wonders. When the words “these events actually happened” lay place upon the screen it is then the pain truly seems to hit in along with the heart-ache.

There are no questions about it that 12 Years a Slave will be the one to beat come the Oscars and there’s no competition when it comes to comparing Steve McQueen’s biographic drama to other films reflecting the horrific slave-era. 12 Years a Slave is a must-see release that will be referred to for a long time to come, emotional, powerful and truly impacting 12 Years a Slave is faultless.

 

Favourite Scenes From 2013

2013 left us a week ago now but still looking back it was a great year in the world of cinema for viewing experiences and entertainment. Regarding my 2013 Round-Up there’s not much left to conclude, so here I bring you some of my favourite and the most memorable  scenes from 2013 releases.

#5

A scene that is truly memorable comes from the recent instalment to The Hobbit series, The Desolation of Smaug  presented us with a stunningly made Dragon which in its final scenes breaks free covered in liquid gold shaking it everywhere. An image and scene that was perfectly executed and is surely to be an award-winner. The scenes involving Smaug were all impressive.

#4

One of the most talked about and divided film of 2013 was Nicholas Winding Refn’s Only God Forgives, despite dividing opinions it really made an impact on me with a brilliantly executed display. The scene I’m sure no one will forget is the long-awaited fight scene that saw Ryan Gosling in a violent display. It was my favourite scene from the film, especially with Cliff Martinez once again adding amazing score.

#3

The Secret Life of Walter Mitty was an excellent and surprising film with an almost perfect balance between comedy, drama and action. The very final scene for me was a real heart-warmer which summed up the films pleasant atmosphere! there were also many perfectly shot scenes that really glorified the captured scenery but for me the ending had a mixture of everything.

#2

Gravity was for me the best visual experience of recent years with amazing effects and great use of 3D! A real awe inspiring scene that was a real highlight and advertisement for recent technology was the inclusion of 3D tears as Sandra Bullock’s Ryan Stone broke down.

#1

Captain Phillips was crowned my favourite release of 2013 and this was mainly down to the amazing and inspirational acting from Tom Hanks. In the final scenes under examination Hank’s Phillips breaks down into shock and capture’s a breath-taking performance that I’m sure will bring many rightful awards and plaudits.

Carrie (2013)

Genre: Horror, Drama

Director: Kimberly Pierce

Writers: Lawrence D. Choen, Stephen King, Roberto Aguirre-Sacasa

Starring: Chloe Grace Moretz, Julianne Moore

Rating: ★★★

Carrie is classed as a cult classic which upon release in the early months of 1976 inflicted terror and shock into all its audience. Lawrence D. Cohen adapting the chilling novel written by one of the most well-known horror authors, Stephen King, managed to be a huge success picking up two Oscar nominations alongside a lifetime recognition for creating a horror favourite. 2013 being a year which saw Evil Dead, another prestigious name from the horror genre ruined and shamed, the pressure on the remake of Carrie only grew, alongside the nerves of director Kimberly Pierce who saw the eyes of the film nation firmly placed on her.

Carrie for me is brutal, bloody and shocking with a well thought and modernised script making Carrie White a name you will always remember. Chloe Grace Moretz and Julianne Moore capture chilling and creepy performances making for a rather decent and brave attempt of remaking a classic.

The film starts with a gruesome pre-title sequence as we watch a disturb woman give birth. Blood in abundance complemented by monstrous screams we wait anticipating the climax. The seemingly possessed mother grabs for a pair of scissors, mid-stab she is stopped, with a shine in its eyes we assume it was the new-born, informing us this baby is powerful, special and possibly evil. We soon learn that it was Carrie!

Carrie White (Chloe Grace Moretz) is now a 17 year old quiet high-school outcast who is victimised by her peers and contained by her religiously obsessed mother (Julianne Moore). After being attacked and humiliated by the popular and “glamorous” group in her sport class everything changes for Carrie as she then realises the true powers she obtains. Seeing her changes, Carrie’s mother only enforces her ridiculous and extreme religious beliefs even more, consequently increasing the pain and neglect felt by her troubled little girl. In a sick act of revenge Carrie is targeted once more on the night of her senior prom but angry and upset she releases telekinetic powers making sure everyone in her small town remembers who she is, whilst getting revenge for 17 years of horror.

Carrie has a great storyline that is at the same time minimalistic and thrilling. Staying true to the original, not much is changed accept from the obvious modernised elements that brings it up to date. The focus however seems to be more on the pain afflicted on Carrie White somehow creating a greater amount of sympathy than Cohen’s 1976 version. Although at first it seems like an advertisement or campaign video for an anti-bullying organisation the traumatic events that Carrie experiences are touching and truly shocking. Although tense and traumatic the early stages of the film are not really horrifying or thrilling setting up for a very slow paced film, however it’s unnerving as we await the switch in momentum.

The final act of the film certainly delivers that switch of momentum as Carrie’s long-awaited revenge and reaction takes place. However it was all too extreme, you had to admire the original’s simplicity and perfect execution something that I think this remake has ignored. Scenes as roads collapse and Carrie levitates aren’t as affective as before in my perspective but they still manage to create a good and entertaining watch.  A real positive I thought was regarding the effects used and Carrie’s telekinesis when the reverse feelings were shown, when Carrie felt happiness, such a rare emotion for her, trees fluttered and birds sang really enforcing the sadness when it all gets taken away.

For a horror there aren’t as many jumps or scares as you might have expected but it still makes a thrilling watch. Maybe the lack of impact this film makes is due to many of us already knowing the full story to Carrie. As first thought and many speculated it wouldn’t surpass its original however like most remakes this is down to the lack of surprise, something that always happens when a story is told the second time. Many have ruled-out and labelled Carrie as a complete failure however much to my surprise I found it an entertaining watch, which certainly stands its own in a year that was slightly disappointing for horror. If you watch Carrie without any comparisons to its original than it’ll be sure to thrill and shock.

My Favourite 10 for 2013

Since I have now viewed most of the 2013 releases I had originally intended to here are my favourite 10. I know I have already posted My 2013 Awards but here is a more formal list, fortunately I don’t have a habit of going to bad screenings so my list was a bit of a headache to conclude and finalise.

#10

“Different”, “Refreshing” and “Tense”

#9

“Fun”, “Alive” and “Heart-felt”

#8

“Thrilling”, “Clever” and “Chilling”

#7

“Pleasant”, “Touching” and “Powerful”

(Reviewed Here)

#6

“Fun”, “Entertaining” and “Brilliant”

(Reviewed Here)

#5

“Master-class”, “Violent” and “Brave”

#4

“Fun”, “Entertaining” and “Simply Great”

(Reviewed Here)

#3

“Touching”, “Inspirational” and “Magical”

(Reviewed Here)

#2

“Visually-Flawless”, “Tense” and “Special”

(Reviewed Here)

#1

“Breath-Taking”, “Tense” and “Stunning”

(Reviewed Here)

Captain Phillips concludes my 2013 list and gets named my favourite film of the year. I only wish I had reviewed more of them but I’m sure I shall with second watches. Feel free to debate and comment about my choices and it would be great if you’d name your top 10 films of 2013 below!