Non-Stop (2014)

Genre: Action, Mystery, Thriller

Director: Jaume Collet-Serra

Writers: John W. Richardson, Ryan Engle, Christopher Roach

Starring: Liam Neeson, Julianne Moore, Scoot McNairy

Rating: ★★★★

Non Stop is the latest hard-hitting Liam Neeson action film to hit the screen and despite it feeling a bit like déjà vu, once again it and he impresses reaching high standards. A simple and common film scenario proves to be as intriguing as it is thrilling making for a very fast paced tense experience. Neeson gives a great solid performance and is supported well from the rest of the cast whilst horror fanatic director Collet-Sera changes his ways very well creating an entertaining rollercoaster which seems to achieve more than most typical action releases.

Bill Marks (Liam Neeson) is getting ready to board British Aquatlantic Flight 10 to London as an Air Marshal whose main priority is the safety of his passengers.  Whilst mid-air and flying Mark gets a series of threatening texts demanding $150 million, if he fails to make the transaction to the off-shore account every twenty minutes a passenger will die. Marks is enraged and panicked, the sender has hacked into a private network and seems to know things he shouldn’t, such as how Marks was drinking a bottle of whisky in his SUV before he boarded. Marks’s worries are brushed aside by people in charge, but as he realises the hijacker is amongst the passengers he knows he has to keep everyone safe. Timer set and twenty minutes counting down, Marks alongside the very few passengers he trusts attempt to locate the hijacker and get to London safely.

Non Stop uses the very simple element of a countdown to keep us engaged but it works very well creating constant tension, excitement and mostly entertainment.  Although the concept is very basic it was one I thoroughly enjoyed, rarely am I as intrigued by a film especially generic action releases, but it kept me constantly guessing throughout as each individual passenger began to look suspicious.  Neeson’s character was also very good, eventually throughout the film and as situations started to get out of control we began to learn more about Bill Marks the alcoholic Air Marshal with his character becoming very in-depth and developed.  The only fault I can afflict upon Non Stop was its reasoning and references behind why the plane was being hijacked as I found it too on the nose and very un-needed. The most highlighting aspect however how the story was action packed with some excellence scenes, including a matrix mid-air gun catch and dive from Liam Neeson which is one to anticipate.

Liam Neeson more recently and especially after Taken seems to have a habit of playing the same character in films, such as in The Grey, Taken 2 and The Next Three Days, however this is due to his ability to play it so well and somewhat faultlessly.  Once again he portrays Bill Marks extremely well and his somewhat powerful emotional speech near the closing stages was very typical but good. Julianne Moore as Jen Summers was another stand-out amongst a very much faultless supporting cast. Moore’s character of Jen, a trusty passenger on the window seat next to Bill, was likewise in-depth and as an audience we fell for her emotional story as her character developed.  The acting was a real credit to what was some decent writing and especially well-written characters.

Non Stop is spot on when it comes to acting and overall writing. It also flourishes due to its pace which is no doubt down to Collet-Sera who usually focuses on making tense fast paced horrors. Collet-Sera’s direction really adds to the tension and thrills of Non Stop which again engages the audience. The film however doesn’t really evolve too much with effects or visual awe with most of it being very safe and average. The end scene too I felt wasn’t executed to its full potential in which should have been the climax to the whole entire film and the big wow factor whereas Bill Marks’s matrix dive and gun catch stole the part.

Although what seemed to be a typical action release Non Stop proved to be well above expectation and turned into a thrilling, exciting hour and half of entertainment. Although there are some small flaws, it shouldn’t down what is a well-made and thought about release which shows great acting and writing including Liam Neeson at what he does best. Non Stop is easily watchable and one of the most exciting and worthwhile action films in recent years.

 

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Zodiac (2007)

Genre: Mystery, Crime, Drama

Director: David Fincher

Writers: James Vanderbilt, Robert Graysmith

Starring: Jake Gyllenhaal, Robert Downey Jr, Mark Ruffalo

Rating: ★★★½

Zodiac is a film that targets a specific audience, an audience that likes to think and an audience that likes to keep guessing throughout. I wanted to love this film so much being a fan of David Fincher and his notorious work, however maybe it was that high expectation that made me slightly disappointed. Zodiac is clever, insightful and brave but somehow its ability to overcomplicate ruins what could have been a prestigious film.

The film surrounds the true case of the Zodiac killer that haunted the area of San Francisco Bay in the 1960’s and 70’s becoming one of America’s most famous serial killers. The mysterious individual taunts and terrorises police with letters and cryptic messages foreboding his future murders and explaining the gruesome details of his previous cold victims. We start to follow Robert Graysmith (Jake Gyllenhaal) and Paul Avery (Robert Downey Jr) two employees working for the areas local newspaper who personally get invited by the killer onto the case; Graysmith alongside Avery starts to come obsessed in finding the Zodiac killer. However after claiming to have killed a handful of victims the messages and the case seems to dry up with Avery losing his job and a new Inspector Toschi on the job. Despite the years passing the investigators still try and find the truth in what becomes a long and intensive battle. Graysmith years later creates a book which eventually puts him on track however Inspector David Toschi (Mark Ruffalo) haunted by the Zodiac killer still doesn’t believe his findings as they battle to find one of the most notorious serial killers in America.

The story adapted by David Graysmith’s book and real life findings is put onto screen by James Vanderbilt and Fincher which results in Zodiac becoming very interesting with the case coming alive with some good direction and entertainment. The first half of the film and story is very fast-paced with Jake Gyllenhaal’s character taking centre stage and murders becoming quick headlines; however it then turns very droning and slow as the story enters many years later. The film attempts to lure the audience into the second half with this great and real life unsolved mystery however at times it is similar to an endurance test with the running time becoming more than two and a half hours long. The story of Paul Avery becomes somewhat pointless as we find out later in the film whilst Mark Ruffalo’s annoying Inspector Toschi seems to prolong events by rejecting Graysmith’s findings.  Eventually choosing the solo effort route Graysmith creates a very fast paced and tense finale which is one of the highlights of the film then leading onto the subtle confirmation and closure of the Zodiac Killer. At times it becomes very complicated and it is that which somehow ruins so much potential and such a great narrative.

The acting within Zodiac was brilliant and on this aspect you can’t complain nor fault.  Jake Gyllenhaal once again shows real talent with such versatility in his role and for me he is such an underrated actor. His portrayal of Graysmith was very realistic and just like the rest of the cast he really showed the intensity of the real-life case also making the audience connect. Downey Junior’s Avery was very impressive and he turned into two polar opposites within the film whilst Ruffalo as Toschi brought along excitement and an element of interest.  Another key element within this film was ofcourse Fincher’s direction and more so the cinematography and scenery shots which broke up tense scenes and isolated claustrophobic locations. The murders and more so the end sequence was really successfully captured by Fincher as he delivered once again a tense nervy chain of events.

Zodiac as much as it is good and you want to love it, holds a lot of flaws which can really bring it down. The long run time as I’ve stated really ruined this film alongside the concept however more so I found some parts rather sloppy. The story spreads out over a number of years but not much within the film world changes such as characters houses, appearances etc. it made for a somewhat sloppy look and proved to be a real spoiler. At times too events seemed to be pointless and although it followed true to the real life case no-doubt it did seem like a hopeless battle.

Zodiac isn’t my favourite piece of work by Fincher and if I’m honest it is most likely at the wrong end of the pile, however that doesn’t make it a terrible film. Although it requires endurance and a lot of thinking Zodiac can become very engaging and somewhat entertaining as you witness the case unfold and the intensity evolve. The acting and visuals are somewhat brilliant which again add to its list of qualities, Zodiac can be easily enjoyable and in a whole is just about worth-while to watch especially for what I believe is a great finale and closing sequence.

Only God Forgives (2013)

Genre: Thriller, Drama, Crime

Director: Nicolas Winding Refn

Writer: Nicolas Winding Refn

Starring: Ryan Gosling, Kristin Scott Thomas, Vithaya Pansringarm

Rating: ★★★★

Only God Forgives was a controversial and the “cliché marmite” film of last year as it was either blasted and destroyed by critics or quite contrary praised and applauded as one of the best. Nicholas Winding Refn writes and directs the unnamed sequel to Drive, which is a popular soon to be classic in the making, however Only God Forgives takes a very different approach. Technically and visually powering with a very vague story surrounding sex and violence it brings a mixture between art and action leaving a lot of thoughts and opinions with its audience.

We follow Julian (Ryan Gosling) in the heart of Bangkok who ten years previously killed a man and went on the run. In the present and day to day he manages a Thai boxing club whilst playing a major role for an underground drugs operation. He’s a powerful, respected individual with a life, but inside he is empty. When Julian’s brother murders a young underage prostitute the police call on a retired cop, Chang –The Angel of Vengeance. Chang allows the girl’s father to kill Julian’s brother giving him the power of revenge however Chang “restoring order” chops of his hand.  Julian’s estranged criminal mother Crystal flies over to collect her son’s body, with a dysfunctional relationship Crystal orders Julian to seek revenge. Julian empty and lifeless accepts the challenge and dispatches to find his brother’s killer and “raise hell”. However Julian trying revenge The Angle of Vengeance will lead to a battle of more than just strength which ultimately could restore what he has been missing.

Winding Refn’s story attempts to carry on from Drive (2010), Julian is now emotionless and the violent personality we saw in Drive has taken over completely leaving him not only lost but dangerous. The film has a clear plot however it is not executed so it is clear visually; everything is disguised and very vague. Refn attempts to create links and most importantly achieves this, however to understand Only God Forgives you will have to notice the tiny references which relate Chang’s actions together in his arrival and departing scene. The final scenes are amazing to watch however “the fight” scene is by far the best and most stand-out being anticipated throughout. The story in a whole for me is very strong and although it has been criticised on its vagueness and obsessive sex and violence it is all for a reason; Refn makes us think and to show how empty Julian is we watch him when he should be most intimate and connecting. Once again Winding Refn creates a very misty, symbolic and aggressive film.

Visually Only God Forgives is brilliant, it has been described as “perfect photography but without the captions”, that description is spot on. Each and every frame is a joy to experience and has been shot with precision and accuracy. The cinematography again is equal and this alongside Refn’s direction flourishes within the long awaited fight scene. Only God Forgives is technically flawless with even the make-up department thriving in turning the idolised and loved face of Gosling into something that looks broken and destroyed and more so the special effects team on creating gore which is worthy of the horror genre should be praised. The sound is also a highlighting feature and again likewise to Drive it should be applauded as Cliff Martinez shows great talent and skill.

Criticisms have been harshly focused too on Ryan Gosling and his performance which some have said isn’t worthy to be called a “performance”. However for me Gosling was brilliant, it is most likely harder to act without emotions then it is with, as it is human nature that we display emotions each and every day, every second. To capture such a lifeless and empty Julian, Gosling should be praised. However it was only Gosling that really impressed as the rest of the cast although very silent due to script and Refn’s nature wasn’t too believing or real.

Only God Forgives was victim of very bad criticisms however for me there were only two major flaws and areas I didn’t find impressive. The acting in general as I said with the exclusion of Ryan Gosling was very poor but more so this was due to a very mute script from Refn that didn’t pay off as he hoped despite turning more attention maybe towards the visuals.  The story too for me should have been directly linked to Drive and therefore it would have created a better understanding even if there was a short opening sequence continuing from the end of the 2010 hit.

Only God Forgives is a very complex film yet looks so simplistic, once the story is digested and understood it is then easier to enjoy and be inspired by what is a technically and visually flawless film. It thrives of an excellence main character and acting, whilst elements of gore and effects are well managed and executed. Winding Refn creates a very lovable film which for me was one of my favourites of last year and although not the most easiest to watch nor understand it can become very entertaining and essentially a worth-while viewing.

Reservoir Dogs (1992)

Genre: Crime, Thriller

Director: Quentin Tarantino

Writers: Quentin Tarantino, Roger Avary

Starring: Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi, Edward Bunker, Lawrence Tierney

Rating: ★★★★★

Reservoir Dogs was Quentin Tarantino’s breakthrough film as it made a prestigious name at the Sundance Festival of 92’.  A mixture between cool, gruesome and fun it is one of my favourite films being somewhat flawless in form of story, directing, acting and soundtrack.  It is entertaining from the very first second and deserves its place as an all-time classic and one of the best films ever made.

The film stays mainly within a warehouse in the aftermath of a jewellery heist gone incredibly wrong after a police ambush.  As the story unfolds we are introduced to the infamous colour-coded gangsters as the four remaining survivors discuss who’s betrayed them and “what the fuck happened!” Mr White (Harvey Keitel) and Mr Orange (Tim Roth) charge into the warehouse, Mr Orange has been shot in the gut, blood everywhere, Mr Pink (Steve Buscemi) shorty follows, screaming it’s a set-up. Shouting, swearing, screaming they’re clueless in what to do and who has betrayed them.  The film then switches showing the story of how they were picked for the job by leader, “the thing” look-alike Joe Calbot (Lawrence Tierney). Mr Blonde (Michael Madsen) then strolls in; he’s psychotic and has a cop in the boot as a hostage; they attempt to find the rat again. Soon after Eddie (Chris Penn) arrives, the son of Joe, he’s angry, Joe is angrier, they go through the plan again together, the meetings, their history looking for the rat that has turned a robbery into a mix between a bloodbath and a western stand-off.

It is easy to spot the link between the pure genius in structure when looking at Reservoir Dogs and Pulp Fiction as it is flawless. Starting completely with intriguing dialogue and introductions, followed by thrilling action which leads to “flashbacks” filling every hole and answering every question about each character and story; finishing in an amazing end climax filled with swearing, loud bangs and blood.  The script is hilarious at times with so many classic lines – “Why am I Mr Pink?” “Cause you’re a fucking faggot” –  “Don’t you think Mr Brown is too close to Mr Shit” – “Are you gonna bark all day little doggy or are you gonna bite?” – The dialogue is then complemented by classic scenes, including the famous and somewhat horrific ear-cutting scene which is filmed directly to the 70’s classic Stuck in the Middle of You as Mr Blonde decides to play games with his hostage, it is one of my favourite film scenes ever created.  The whole film, from start to finish is filled with fun and entertainment and rarely within in a film there is not a single boring moment you want to rush through.

The characters are excellently developed within the structure, Mr White is our main character somewhat, and we like him most. Mr Pink is annoying, selfish and pig-like, he also doesn’t tip waitresses. Mr Blonde is a psycho; however he’s cool mysterious and someone who you wouldn’t argue with. The stories are so well structured and planned out you learn and see into the personality of each character. The acting of these characters is also a faultless aspect, Harvey Keitel as Mr White is brilliant with the final and opening scenes really being his highlights.  Buscemi’s Mr Pink is also another standout, although annoying he deserves credit for some great moments especially when he’s calming down Blonde and White.

The all 70’s soundtrack is something which adds this fun and different element to Reservoir Dogs making it stand out.  Simply including it would have had a great effect within the film however in a master-class way Tarantino many times makes the music diegetic putting it within the “film world”. Shown in full extent as Mr Blonde cuts of an ear and then throughout as the gang plays K-BILLY’s 70’s classics driving around.

Reservoir Dogs is an unforgettable watch, one which you will go back to time and time again as the film is definitely one of the best and most definitely one of my favourites ever made.  Tarantino’s debut is simply faultless showing its own created style within every frame.  Classic dialogue, an excellently executed story, a cool soundtrack along with brilliant acting makes this an easily watchable, fully entertaining experience.

Now You See Me (2013)

Genre: Crime, Mystery, Thriller

Director: Louis Leterrier

Writers: Ed Solomon, Boaz Yakin, Edward Ricourt

Starring: Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Isla Fisher, Dave Franco, Morgan Freeman, Michael Caine

Rating: ★★★

Now You See Me is a film based on magic and illusions which mix into the criminal world, somehow all combining it creates a fun concept; however such a well-thought and fun concept is executed rather poorly to make for a film that falls a bit short of expectation. An all-star cast mostly give good performances and alongside some action and humour the film can be at times entertaining and an exciting experience.

The story centres on four magicians who each receive a mysterious calling card leading them to an obscure address with many secrets inside. Daniel Atlas (Jesse Eisenberg) is a young, intelligent and popular magician, Merritt (Woody Harrelson) is a hypnotist who once had a good career but now finds pleasure by conning people out of money; the same can be said for Jack (Dave Franco) however he is much younger and a trickster, finally the fourth is an escape artist Henley Reeves (Isla Fisher) together they will be known as the four horsemen. Four years after the calling card meeting they are together big-time stage illusionists and sell-out performers who climax their Las Vegas show by robbing a bank live on stage. With over $3 million flying around on stage and the impossible task looking achieved it puts the four magicians on the radar of FBI Agent Dylan Rhodes (Mark Ruffalo) and his Interpol companion Alma (Mélanie Laurent).  However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley (Morgan Freeman). What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see.

Now You See Me starts off very promising with entertaining introductions and a great what seemed lead in to the main plot of the film, however as twists occur it becomes very confusing. Although filled with action Act 2 is far from entertaining and until the end of Act 3 Now You See Me stays very frustrating. The concept made by  Ed Solomon, Boaz Yakin and Edward Ricourt is very exciting and fun, however its over complicated twists somewhat make it into three separate films combing into one with a variety of stories told and interlinked.  The task has been mastered before in likes of Pulp Fiction, but here it just doesn’t.

The cast is filled with some very big names, Jesse Eisenberg takes on the lead and he achieves again this clever witty character just like his role within The Social Network.  Woody Harrelson brings humour in many ways again like in previous roles such as ZombieLand and for me is the standout character and performer, however other performances were very mediocre and average, including those by Michael Caine and Morgan Freeman.  The main element which proved to be the highlight for me was the special effects which showed the group’s illusions in full amazement and awe, and as an audience made us so intrigued within the first act of the film.

The flaws however all evolve around its story which is too confusing and executed very poorly by both writers and director alike and furthermore it seemed to drag for a while. My other criticism is how stories within the film are left unexplained and unfinished, such as the ending which should see the police eventually catch up with the four horsemen and furthermore the story involving Caine’s character was very swiftly forgotten by the writers and characters within the film.

Now You See Me is somewhat an easily watchable fun film especially for those more easy going cinemagoers, however at times it can prove to be a dragging and frustrating process. The story although a fun concept is what brings this film down and more so the average performances from some big name stars. Now You See Me in spells brings great entertainment and amazing illusions to screen, alongside some action making it just about worth-while.

Seven Samurai (1954)

Genre: Action, Drama

Director: Akira Kurosawa

Writers: Akira Kurosawa, Shinobu Hashimoto ,  Hideo Oguni

Starring: Toshirô Mifune, Takashi Shimura, Keiko Tsushima

Rating: ★★★★★

Seven Samurai is possibly one of the best and most popular Japanese films to be released until this present day with such a great deeper meaning behind an entertaining, touching and comedic story. Akira Kurosawa’s classic shows off some great directing and acting too from what was at the time an iconic and popular cast. Seven Samurai is a film that is must-watch not just for some entertainment but for appreciation of classic Japanese cinema as well as cinema as a whole.

The story of Seven Samurai follows a group of farmers who each year allows bandits to take their women, food and crops as they invade doing their expected “duties”. However they call for a time of change and for others to take action. Rikichi (Yoshio Tsuchiya) a young farmer demands that his fellow farmers must stand up and protect their land so they set off to their local town to hire seven Samurai to defend them from the bandits. Finding the Samurai is not easy for the farmers; those who pass have masters or better values than to serve peasants with the wage of a bowl of rice. Despite this they acquire their Seven Samurai returning to their farm, they begin to form a strategy and a plan to defend and defeat the bandits. When the bandits attack the Samurai and farmers stand brave and strong, but in a battle there are always fatalities and the farmers have to pay a price for their land.

Seven Samurai has a much more deeper meaning than what first meets the eye, the film is actually a metaphor for the battle between Japanese Society and the Military in 1954 Japan as post-war to American a big paradigm shift took place, something I will separately post about when I analyse Kurosawa’s classic. There’s so much depth to the story and characters that you seem to form a connection with so many and route for them all the way. The individual characters of the seven Samurai are brilliant, Kikuchiyo (Toshirô Mifune) is my personal favourite as he offers so much in the sense of comedy and for entertainment, and he also delivers such a powerful and meaningful speech. The character of Kyuzo (Seiji Miyaguchi) a skilled samurai is also brilliant, as at one point he arrives back with his sword telling the leader Kambei (Takashi Shimura) to cross off another two dead bandits. In a whole all the cast give great performances and even more than 50 years on they are still as believable and effective, like the film itself. A huge amount of credit is deserved and should be directed towards the writers for such amazing development of characters as well as conveying that important hidden meaning and additional message.

The directing from Kurosawa is also something that is excellent, something that makes Seven Samurai such a classic. The battle scenes are entertaining and a real treat, what I find remarkable is how at the time to manage to capture rain on the camera they had to use black dye and buckets full of water had to be constantly chucked over the set and actors. When you realise the effort they all went to, it is actually amazing. The way he also chooses to shoot certain scenes are interesting, especially when delivering those important messages which again help to emphasise arguments and values.

Another aspect I find a real positive is how Seven Samurai is a staggering 202 minutes,  in the present day that isn’t a common runtime but what I find remarkable is how despite that enormous length of time you stay so engaged and entertained, something I don’t think many modern day films could even achieve in short amount of time.  Since 1954 it has become a real classic and furthermore a “template film” in terms of structure and story, with films such as Antz (1997) playing a complete homage.

Seven Samurai is certainly my favourite Japanese film of all time, a real classic too and there’s no surprise it ranks so highly among IMBD’s Top 250. The story, directing and acting are just brilliant but once you analyse the film and truly see its excellence everything becomes a work of art. It brings great action, comedy and entertainment making it a real “must-watch” and an enjoyable experience so I would recommend it greatly.

 

The Place Beyond The Pines (2013)

Genre: Crime, Drama

Directors: Derek Cianfrance

Writers: Derek Cianfrance, Ben Coccio , Darius Marder

Starring: Ryan Gosling, Bradley Cooper, Eva Mendes

Rating: ★★★★★

The Place beyond the Pines was a film that slipped past my radar in early 2013 but it soon became top of my “must-see” list after seeing it top many “Best of the Year lists”. It is safe to say those plaudits were spot on as many aspects of Derek Cianfrance’s release are flawless. Following a fantastically written story which has been executed equally as good, it is further topped off by a great casting ensemble. The Place beyond the Pines is a film that is totally entertaining, and leaves you reflecting days after which again adds to its brilliance.

We follow the life of Luke (Ryan Gosling) a dreamy motorcycle stunt rider, rebellious and dangerous we quickly form a bond routing for our protagonist. On a circuit tour living the carnival life he performs in the New York town of Schenectady, where he then attempts to reunite with his previous lover Romina (Eva Mendes). Secretly and unknowingly to Luke, Romina has recently given birth to his son, in an act of courage Luke makes a bold decision to quit riding and settle, providing for his new family. Obstacles soon appear for Luke as he has to fight for Romina and his child with new lover Kofi whilst his new wage earned being a mechanic is staggeringly low. Turning to a life of crime to support his family giving them a life and experience he always wanted, Luke robs a series of banks.

However his life as bank robber soon puts him on the path with ambitious and eager police officer Avery Cross (Bradley Cooper).  Looking for a quick way up the ranks Avery has to battle within his department as well as out, as it is riddled with a set of corrupt superiors. Luke’s and Avery’s path of sin and trouble soon changes their lives for the worse. Forwarding into the future we then see how these past sins haunt a pair of high school boys trying to accept the legacy they inherited. As life once again proves to be more than complicated the only refuge is a place beyond the pines.

The story is one that still amazes me for many reasons, the element of realism and the outside perspective of a “ripple effect” are somewhat brilliant, but the top of the list is how well executed The Place beyond the Pines is. It left me reflecting how past actions have affected the present and even the future of my life. The way this drama unfolds is also truly brilliant, there’s at no point a dull moment and I was kept entertained and intrigued throughout. The characters and the development were flawless too, Ryan Gosling’s Luke was our hero, the true “anti-hero” in an aspect, and scenes where he played with his son and attempted to put together new cots were actually and surprisingly pleasant. Then when we switched to follow the life of Cooper’s Avery we found a new hero and events to be entertained by.

The casting ensemble was also great and deserves much applause and credit. Gosling played his dreamy Luke brilliantly likewise with Cooper and his Avery. Eva Mendes although a slightly more back-grounded character still portrayed and captured an excellent performance, with all three characters really inspiring and connecting with us. Derek Cianfrance directing was a real highlight too, with many shots being awe-inspiring whilst all scene’s emotions were really heightened to full potential and impact. On a final note and a deserved mention was the score which provided an equal amount of entertainment with Bon Iver’s The Wolves and Mark Patton’s Snow Angel becoming new favourites.

In a whole The Place beyond the Pines left me feeling very entertained and thoughtful and upon reflection the film is flawless with every aspect executed well and interacting together brilliantly. I am surprised this release even slipped past my radar and didn’t become a much talked about huge success. To say The Place beyond the Pines is a “must-see” is a given, and I can only hope that it has the same remarkable impact on everyone else.