A Clockwork Orange (1972)

Genre: Crime, Sci-Fi, Drama

Director: Stanley Kubrick

Writers: Stanley Kubrick, Anthony Burgess (novel)

Starring: Malcolm McDowell, Patrick Magee, Michael Bates

Rating: ★★★★★

A film from one of my favourite directors, and one of the best directors to ever embrace the cinematic world, A Clockwork Orange challenged audiences to question the need for violence in life and wowed Academy’s as it picked up a string of awards including Best Picture and Best Director.  Previously being withheld from millions, once viewed it is obvious to see the brilliance behind a film which although has an unconventional storyline, holds cinema-changing craftsmanship.

Alex is a young boy, a member of a futuristic Britain, a much changed world. His main interests are ultra-violence, rape and Ludwig Van Beethoven of course. Rolling about with his three “droogs” Pete, Georgie and Dim he adventures on another night of mugging and raping, but when he faces a challenging woman after breaking into her house, he is arrested for murder and is imprisoned. Once inside he soon learns his life will be nothing but following orders and ending each sentence with “Sir”, but when hearing about a new experiment which could reduce his sentence he volunteers himself. The study attempts to brainwash convicts into detesting any form of violence, and once completed Alex is released into the mean streets he once created and ruled; his morals may have forcibly changed but others haven’t.

A Clockwork Orange is a rollercoaster of a film, with excitement and action in every sequence, something that Kubrick delivers excellently. The scenes of violence and rape are not as shocking as some explain, however what is problematic is how as an audience we are encouraged to side with Alex, and therefore break the rules in the film’s society as well as our own. Kubrick seems to question the need for violence in society, what you take from the film is down to your own mind-set and outlooks; however A Clockwork Orange is known as a film which seems to question individual’s morals and beliefs, making it somewhat unique.

The film is witty, and clever with the dialogue something I find brilliant. It makes the film fun, although it shouldn’t be given the plot, I find it really is. The futuristic world created is likewise the same, and both together seem to create interest and awe.

The acting is something which should be credited and for me Malcolm McDowell’s portrayal as Alex is fantastic and is one of my favourite. The deliverance of every line and syllable creates emotion, and every step and movement seems to be natural and exciting. Kubrick’s direction throughout really shows to full extent his talents, and why his breakthrough in cinema was so influential. The range of shots, the selection of shots and certain scenes are great. The way the camera pans in Mr and Mrs Alexander’s house was innovative whilst the close ups on Alex’s eyes in the testing scenes are rather disturbing, and that’s surprising considering the film itself.

The soundtrack is an interesting choice, the mixture of “Ol’ Ludwig Van” with violence summarises A Clockwork Orange perfectly, something with so much craft, making an unconventional masterpiece. However my favourite would be Singin’ in the Rain along with its inclusion within the film and certain scenes, in the mugging and rape scene as Alex starts to beat Mr Alexander it is clever and fun, a real highlight in the film. It’s a moment that you seem to find hard to remove from ya Gulliver!

A Clockwork Orange is a classic and a film which is part of history, another piece added by the fantastic Stanley Kubrick. Its unconventional, but that’s it likability, its unique, fun and exciting but at the same time it can shock its audience and eventually leave them with a few questions. I can’t find fault in Kubrick’s creation, maybe due to its uniqueness there is not much you can compare with, however every element seems to work and the end product is nothing short from flawless.

 

 

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6 comments on “A Clockwork Orange (1972)

  1. Regardless of your feelings of the explicit subject matter, I think we can all agree how impressive it is that Kubrick manages to get us to root for a murderous, rape-loving sociopath. Definitely a weird movie, but it’s unconventional plot devices and Kubrick’s camerawork easily bring it full circle.

  2. Interesting review Liam, very well-written and detailed. I remember seeing this for the first time in college around maybe 5 or 6 years ago and it was one of the most unnatural film experiences I’d ever had. Now don’t get me wrong, the film is very good, brilliant at some points with some unforgottable moments of dialogue and scenes of awesomeness. That being said, I was kind of disturbed by the film with its visual presentation on rape and all that stuff, it was just a bit weird. I haven’t watched the film since and have debated going back to it (now being more into film than ever), but I’m still unsure.

    • It would be an interesting one to look into for sure, wish I could view this within college! As you said it is problematic when it comes to rape and violence which does make it disturbing, but Kubrick’s message might have had an element of truth whilst the film itself was as you said very good and brilliant!

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