Hidden References in Eli Roth’s Hostel (2005)

Eli Roth wanted to make a big claim to the cinematic community with his 2005 release of Hostel; he wanted to make it known that he is an expert of his genre, a well-knowledge film-maker and an admirer of the all time classics. Hostel very much entertained the typical zeitgeist audience when released with its mass gore and special effects, but for the cineastes and genre fans he played homage to many films and included references to others keeping them occupied and a part of an “in-joke”.

The master that is Quentin Tarantino presented and produced Hostel and his name appearing on the opening credits wasn’t his only involvement within the film. As the three backpackers check into their new Slovak hostel in the background Samuel L Jackson’s iconic speech from Pulp Fiction is being played on the TV. It is also suggested how our antagonists stalked the halls of the slaughter house whistling could be a link to Tarantino’s Kill Bill.

Eli Roth also referenced the Kubrick and horror classic, The Shining. The boys are given room 237 which is the same hotel room which is forbidden in The Shining, something which is obviously not a coincidence. Alongside one classic is another as the film uses the same score from Hitchcock’s Psycho. The closing credits to Hostel plays homage to the opening credits of Psycho using the same style score but slightly giving it a modern twist.

Wanting to state his knowledge and ability to recognise his background, Roth referenced two very small but classic British horror films. The sex scene between Josh and the Slovak roommate is a direct link to the sex scene within The Wicker Man 1973 as our priest gets seduced through a wall by a form of witchcraft. It is referenced by the iconic music played over the top. Film of the same year, Don’t Look Now 1973 is also referenced clearly, the final scene in Don’t Look Now sees our protagonist chase a figure in a red coat, in Hostel Josh and Paxton looking for Oli start to chase a guy wearing the same Orange coat, the two scenes follow the same structure and even have similar settings.

Eli Roth also chooses to have many cameo’s including himself. In a bar scene at the beginning of Hostel, Eli Roth can be seen smoking and smashing a bong whilst laughing. Japanese director Takashi Miike also plays a role as the guy who Paxton asks “what’s it in like in there” too as he stands outside the unknown slaughter house. Extending his knowledge to that of Japanese Film finally the last reference is that to Suicide Club. The end scene which sees a Japanese woman jump in front of a train is a clear homage especially to shots where we see fellow passengers sprayed with blood, it is also the only reason Roth made that very character Japanese.

Did you spot any of these references?

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Personal Favourite Film Soundtracks

It recently occurred to me how the films that I have been watching lately have had brilliant soundtracks and ones which I have been listening to over and over again. So here is a list of my personal favourite film soundtracks.

I re-watched the Tarantino Classic Reservoir Dogs not so long ago and it once again reminded of how brilliant the all 70’s soundtrack is which sees “Stuck In The Middle of You” be played in time to Mr Blonde cutting someone’s ear off. Sticking with Tarantino it is only fair to mention Pulp Fiction which sees some unconventional songs such as “Jungle Boogey” turn into a classic moment.

500 Days of Summer also holds one of the best soundtracks which is one of the main highlights to the unusual non-stereotypical rom-com, with song “Sweet Disposition” constantly being in your head after. Similar film Juno also brings to the table a very up-beat warm soundtrack that again is a highlight and credit to it’s film.

Most recently in cinema’s both Inside Llewyn Davis and Her have produced amazing soundtracks which I have not stopped listening to as well as a high standard to 2014 films. Inside Llewyn Davis really shows off folk music and Oscar Isaac’s talents whilst Her’s mixture of synthetic scores and songs such as “The Moon Song” is just beautiful and rather complimentary to Spike Jonze’s creation.

Two of my all time favourite films also hold two of my all time favourite soundtracks. Drive is brilliant with such a upbeat award winning score with songs “Night call” and “Real Hero” being amongst the highlights.  Donnie Darko my all time top film holds a great score which compliments and foreshadows every event with the famous and iconic “Mad World” being the highlight.

Do you agree? What are your personal favourite soundtracks?