David Fincher as an Auteur #1

Just before I review Se7en the next film on my list, I thought it would be good to analyse Fincher as an auteur and pick out a key trademark in between my reviews. So here is my first obvious and somewhat brutal trademark of Fincher – his absolute expressed hate for women. Now thinking back to any films in general that you’ve watched it is a common occurrence to have a woman playing the damsel in distress and for her to get injured and hurt, but it seems that Fincher goes that little step further in ALL of his films to get across the message that its males that dominate society.

His first major film whilst being in the prestigious and important director’s seat was Alien 3 (1992) where he first instigated this hatred for women. Ripley (Sigourney Weaver) crashing onto an all-male prison island is completely isolated and is in a society completely dominated by men. She is stripped of her femininity by appearance and is treated poorly as she is undermined throughout. She is the only female character in this film and despite battling this Alien creature showing some signs of strength she is at threat to male dominance constantly. The ending of the film despite a heroic sacrifice by Ripley shows that she didn’t win her battle as she leaps into a pit of fire not only killing herself but the unborn queen alien. The overall message of the film seems to sum up that a male’s world is brutal and violent, when women simply enter this world they can’t win, they’re hopeless. It might seem much read into and a vague judgement, or maybe it is all just a coincidence?

Se7en (1995) Fincher’s second most popular film, it follows similarly the same idea of Alien 3. In the criminal world it is dominated by males, there is not a single female police officer or woman with a high-status or role within the film. Once again this male dominated society is absolutely brutal with murders and serial killers, something a woman surely couldn’t handle? – Well according to Fincher. Detective Mill’s (Brad Pitt) wife is the main female character within the film; we only see her do one or two things throughout? And one is occupying that feminine role within the kitchen as the men do the hard gritty jobs. In the final scene as none of us can surely forget, we see her head in a box as John Doe completes his final sin. Completely uncalled for, no reason whatsoever that she was killed other than to fulfil John Doe’s plan. However and despite this coincidence again, just like Alien 3 our only female main character is dead and can’t survive in this male dominated society.

The Game (1997), it is a strange film to say the least as most characters play a double-role, one in this fake world “the game” and the other in real life reality that doesn’t become too clear till the end. Our main protagonist is a man who is in the business world and once again no female characters are competing in this society, males dominate completely. The main female character is Christine and even though she is playing her role in “the game” she is presented as highly promiscuous, deceitful and manipulative.  Even after the game has finished she still retains no power what so ever in this world.

Skipping Fight Club (1999) as the film itself presents too many things to even contemplate thinking about and looking into we jump to Panic Room (2002). A criminal world is again laid out for us, one dominated by males. The story plays very much to the damsel in distress stereotype; it labels our two female characters as weak and vulnerable for the majority of the film. It sets up this world where our main character Meg is in an absolutely fragile state recently divorced, an alcoholic (by the first two scenes) and relying on money from her ex-husband she is totally dependent. Alone and in charge with responsibility this brutal male world victimises her and her fragile severely diabetic daughter. Burglars, part of a criminal world (male dominated) break into their house and take advantage. Okay okay, two get killed and the other arrested as the female characters fight back however throughout the film they are vulnerable and still dependant on males. The daughter’s life is saved by the burglar and the intervention of Meg’s ex-husband causes helpful delays. The main message though is that women are inferior to males in society.

Finally, as if I carry on much more the term “male dominance” may become somewhat hypnotising I shall skip to The Girl with the Dragon Tattoo (2011) a film actually based on book that was once drafted “Men who hate women”.  We follow a male journalist who’s in an industry that has become very financial and business like, once again something that women can’t handle. The only professional woman in the industry is his boss, who rather unprofessionally he has an affair with.  Our main female character is a subject of constant pain that is inflicted by males. A rape victim, and a sufferer of a hard life due to her abusive father she becomes a private investigator. Again isolated, socially and physically. Everyone who she reports to for either governmental or occupational reason is a male and one who eventually rapes her. The story itself follows a criminal case that investigates a series of murders where young girls and women are victims of brutal killings and rape. In the end of the film there is a happy fairy-tale ending set up as our main characters journalist Mikel and private investigator Lisbeth seem to be in a relationship, however as Lisbeth goes to meet him she witnesses him with his boss, riding off with her dreams dashed and once again alone in this male dominated world the film ends.

This is just all analytical reasoning, but it seems fair to say especially from my perspective that David Fincher likes his films to show male dominance and to play on the stereotype that it is females that need saving. Obviously this is a very controversial look, but nevertheless one that I am currently studying and that see quite frequently appearing and popular. Next time you watch a David Fincher film, future releases such as Gone Girl maybe? Or just an old classic bear in mind this trademark and see whether it fits.

Everyone’s thoughts and opinions? Discuss.

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6 comments on “David Fincher as an Auteur #1

  1. Pingback: [NEWS] The Sunday Spew (5th January 2014) « The Verbal Spew Review

  2. Pingback: David Fincher as an Auteur #2 | LIAMDOESFILM

  3. I actually derived the exact opposite interpretation from most of Fincher’s work: That he’s proponent of feminine power. In Alien 3, Weaver dropps into an all male prison and quickly becomes the leader, the matriarch after Clemons and Brown get eaten and the whole place goes to hell. She could also be interpreted as a sort of Christ-like figure who descends from the heavens, leads a pack of sinners, and then ultimately sacrifices herself to save them at the end.

    With regards to ‘Dragon Tattoo,’ Lisbeth’s character had always struck me as a sort of female James Bond-type character, which is ironic considering Daniel Craig’s casting as the male lead. She is raped and abused, yes, but she takes aggressive action to seek retribution for the crimes committed against her rather than sitting back passively and waiting for the system to fight for her. She’s also a tech wizard, a motorcycle diva, and in general doesn’t give two shits what others think about her.

    • I suppose you could see it in that way, putting woman down to show how they can rise up! Interesting, however the way they end their journeys are not at all positive, Lisabeth gets rejected and is back to being alone whilst Ripley dies. It’s a man world in Fincher’s eyes for me.

      • I dunno, I guess I always saw it from the perspective of like, David Fincher seeing and understanding how hard the world is for women. In his films, he puts his female characters in hard situations not because he wants to see them suffer, but he wants to show how hard women have it a lot of times. Does that make any sense? 😛

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